New work on view in NYC group show "Diasporic Tremors"

My new video installation, Screen Recording 2020-11-20 at 1.59.44 PM, will be on view at The Gallatin Galleries (1 Washington Pl. @ Broadway) through June 14th.

Screen Recording 2020-11-20 at 1.59.44 PM is a video and installation work about the fast-changing landscapes of memory in displacement. It comprises a 9-minute video featuring footage of my mother’s hometown—the so-called ‘ghost town’ of Varosi, which was cordoned off by the Turkish military for close to 50 years—in 2020; and a newspaper print of my mother’s childhood diary, recovered from her home’s ruins decades after she was displaced.

Huge thanks to Keti Papadema, Marcos Papaleontiou, Marios Stylianou, Pavlos Kyriakou, Loukia Hadjiyianni, Kika Ioannidou, Neoclis Nicolaou, Clio Hadjigeorgiou, Silvio Augusto Rusmigo, Keith Miller and Ellada Evangelou.

Artist Statement - Screen Recording 2020-11-20 at 1.59.44 PM

The town of Varosi, or Varosha, on the eastern coast of the Mediterranean island of Cyprus, was fenced off by the Turkish military for 46 years. Since the Greek-backed coup d’etat and Turkish invasion of 1974 that divided Cyprus into a Greek Cypriot-controlled south and Turkish Cypriot-controlled north, Varosi was neither settled nor demolished. The erstwhile bustling seaside town, replete with modernist architecture and miles of sandy beaches, was left to the elements, slowly turning into a shell of itself, earning the name of “ghost town.”

In 2006, a Turkish Cypriot friend of the artist’s maternal uncle entered the town undetected, and recovered an old exercise book from the family’s ancestral home. It was a diary of the artist’s mother, from the time she was eight years old, featuring colored pencil drawings with each entry. The diary was the closest the artist ever came to witnessing what her mother’s life was like before the war. When the Turkish military opened Varosi to the public in October 2020—in a move denounced by the UN and the international community as illegal—the artist and her mother visited the town together for the first time. A few weeks later, the artist returned to her home in New York.


EXCAVATORS Feature Film @ Midpoint Institute Feature Launch

I’m very pleased to be sharing the news that my first feature film project, EXCAVATORS, has been selected to be a part of Midpoint Institute’s Feature Launch 2023 program.

EXCAVATORS is a film about intergenerational memory and the painful--but necessary--process of unearthing ugly truths about one's family history. When Klió, an actor stuck in a digital marketing career, goes against her family to uncover the mystery of her missing grandmother, she finds out that excavating the truth is a painful, and life-changing, ordeal. 

I'm grateful to my producer Constantinos Nikiforou at Caretta Films and our co-producer Minos Papas for supporting this project through thick and thin. I'm really looking forward to spending the next six months meeting, working, and growing with up-and-coming European filmmakers.

Midpoint Institute is devoted to helping emerging and mid-career film and series professionals advance their projects and improve their craft.

EXCAVATORS is supported by a script development grant from the Cyprus Cinema Advisory Committee.


Cyprus Film Days 2023

I haven’t posted here in a while but I am back with some exciting news: I am one of two new Artistic Directors for Cyprus Film Days, Cyprus’ official international film festival, alongside my friend and talented filmmaker Marios Lizides. We can’t wait to share the festival’s image, as well as the lineup of incredible films, workshops and guests that we have in store for the festival’s 21st edition, in the new year.

The festival will take place between 21-29 April 2023 in Limassol and Nicosia. It is organized by Rialto Theater and the Deputy Ministry of Culture (Cultural Services).

See the announcement below: https://www.cyprusfilmdays.com/news/cyprus-film-days-international-festival-welcomes-its-new-artistic-directors/

One Day at a Time

One Day at a Time

Who would have thought that having all this unexpected spare time would be this hard. Posed to me as a hypothetical in the midst of a busy work week, the prospect of an indefinite number of days working from home with all social / professional obligations cancelled would have seemed like heaven. Think of all the writing I could get done. All those ideas I would finally get to hammer out, in scripts, op-eds, articles, pitches etc. Turns out that as a lived experience, an indefinite amount of unstructured time is pretty unnerving. I’ll admit that I’ve never had a harder time actually doing something.

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